Introduction to Sennheiser e901
The Sennheiser e901 microphone is a big improvement for live music. It’s made to record low-pitched instruments really well, giving great sound and dependability.
Microphone Design and Build
- Robust build quality ensures long life
- Low-profile design for discreet placement
- XLR connector for easy setup
The strong build of the e901 makes it tough enough for live shows, and its slim, discreet design lets it fit in easily on stage without standing out.
Performance
- Captures deep tones well
- Excellent feedback rejection
- Versatile for various instruments
The e901 microphone is really good at picking up deep sounds from instruments that have low pitches. It also blocks extra noise well, so even in loud places, it can still give clear sound. This microphone works well with lots of different instruments because of these features.
Ease of Use
- Simple setup process
- No complex controls
- Plug-and-play functionality
Setting up the e901 is a breeze, thanks to its clear design. With no complex control, it’s a plug-and-play device, ideal for everyone.
Microphone Pros:
- Accurate low frequency capture
- Sturdy and durable build
- User-friendly design
- Excellent feedback rejection
Microphone Cons:
- Might be considered expensive to begin with
- Requires phantom power
Conclusion
In summary, the Sennheiser e901 is a great device for recording low-pitched instruments with all their rich details. Although it might seem expensive for beginners, its strong build, amazing sound, and easy design make it a valuable choice for musicians and sound experts who want excellent sound recording.
prem sagar –
Best condenser mic for cajon, kick bass, and hall surrounds.
PattersonStudiosMusic –
All I can say is this. If you want that punchy attack with a deep bottom, this is THE mic to put in your kick. Paired with an e902, you’ll never need another bass drum mic.
Carter Beauford of DMB fame uses this combo…and if it works for him, I’m sure it will work for you!!
Don’t miss this mic. You will be happy that you did!
prem sagar –
Before this I had only ever used a b52 since that was all that the venues ever had. From the first time I heard this mic I knew I’d never go back. While a 52 sounds like a low woomph, this one actually sounds like the kick drum. What a novel concept!
william balestrini –
Great for Kick Drums – IF… your kick drum port hole is large enough to pass this mic through it!
Amazon Customer –
Did I say Great?… I meant, great, great, great…. microphone
Buy one before they come to their senses and raise the price…
polavarapu kishorekumar –
Sounds great, cleans up my set up without having a stand sticking out. Great product!!!
James –
Not working
Nick –
This really is an amazing microphone. I “upgraded” from a Shure Beta 52A, which is probably the most popular higher-end bass drum mic out there. I decided to switch because I kept having trouble with the microphone hitting the hole I cut in my bass drum head. Anyway, the sound quality is one or two steps above even the mighty 52A. I don’t know how that’s possible. Only downside is slightly higher line noise, maybe because this is a condenser mic, as opposed to a dynamic (as the 52A). Regardless, if you haven’t yet bought a decent bass drum mic, I would recommend the extra $50 bucks for this one. If, by chance, you have a 52A, I invite you to try it on your largest floor tom. That’s right, the best part about this mic, it turns out, is that it opened up my 52A, which is simply astounding as a floor tom mic (vs. a standard SM57).
A few other points. This microphone is incredibly heavy and seems remarkably well made. I’m not a huge fan of the graphics, but you cannot see this mic in the drum, so whatever. The unit is made in Germany and comes with a decent, although not particularly nice, bag for gigging. It also has a 10 year warranty, which is great, particularly for a condenser mic. Finally, I am using this in an 18″ Gretsch Brooklyn kick drum. I have no doubt it will sound even better in larger drums.
Final verdict: I don’t have any idea why it sounds so good, but this is the best kick mic I’ve ever heard. 10/10. Shure makes a similar unit (Beta 91A) that I have not tried, so I cannot comment on it. I am a huge Shure fan, so I bet it is equally as good. As for why I picked the Sennheiser over the Shure when they were the same price? I just wanted to try a Sennheiser, and the reviews were slightly better on Amazon. Nothing more than that. And I like what I see. A lot.
KaseyK –
Excellent sounding mic that I use for kick drum. A lot of folks seem to use boundary mics in conjunction with another mic like a Shure Beta 52, Sennheiser e902 or the Audix D6. I’ve found that the e901 is perfect by itself. For me, this mic has the perfect balance of lows and highs to give it plenty of bottom and just the right amount of attack to make your kick drum sound great in any venue. In comparison to the previously mentioned dynamic mics, the e901 will definitely offer more attack or “click” sound from your kick if that’s what you’re wanting. If you’re wanting a “boomy” sound from your kick drum, this is NOT the mic you’re wanting.
Mainor Arcia Madrigal –
Buen micro para el bombo de la bateria
Llego en perfecto estado..
Trabaja muy bien con cualquier tipo de bombo o bass drum.
Joseph A. –
K
Jason M. –
Picks up and translate the low end of my 18″ kick much better than the dynamic, super cardioid polar pattern mic I was using.